From the very beginning of The Musicalby director Giselle Bonilla, there’s a bitterness and self-righteous indignation that permeates the entire story of a teacher who believes himself to be wronged ...

Performances in N.Y.C. Advertisement Supported by Critic’s notebook What is the purpose of a poem, an illustration or a nonsensical phrase in a score? If it makes musicians stop and think, that’s a ...

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Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment for Paste Magazine, Brightest Young Things, ...