Since Aeschylus’ trilogy “Oresteia” isn’t long enough, Robert Icke’s new update gives it a prequel. What is merely talked about in “Agamemnon,” the first play in the trilogy, is now played out on ...
A never to be forgotten theatrical experience. A huge, moving, bloody saga, the original of all family dramas, Aeschylus' greatest and final play asks whether justice can ever be done? Part Godfather, ...
If “The Oresteia” is a juicy saga of family revenge swelling into public justice, and also the only trilogy we have from ancient Greece, why is it so rarely staged? “People are afraid of them,” says ...
3 Hart Theater Company To Present THE LAST FIVE YEARS In Salt Lake City 4 Last Chance to Vote for the 2025 BroadwayWorld Salt Lake City Awards; THE HUNCHBACK OF NOTRE DAME Leads Best Musical! Emilio ...
In a choice that is as touching as it is powerful, Michael Kahn caps his illustrious tenure as artistic director of the Shakespeare Theatre Company with that most seminal of Greek tragedies, Aeschylus ...
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or ...
Performances in N.Y.C. Advertisement Supported by Two Robert Icke productions have endured illnesses and last-minute casting changes. Now they have finally settled into a repertory groove. By Juan A.
Beware the threequel. The law of diminishing returns is evident in Classic Stage Company's "An Oresteia." The actors leave, the lights come up, and the wall progresses toward us, only to split open so ...
Melvyn Bragg discusses the ‘Oresteia’, the first of the Classical tragedies that come out of fifth century Athens. It is a tale of homecoming, murder, bloody vengeance and the establishment of Law.
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